Insights

In a fresh take on Shakespeare’s *As You Like It*, the Royal Shakespeare Company (RSC) presents a visually striking production directed by Brendan O’Hea. Set against a vibrant aquamarine wooden stage, the play explores themes of identity and love through disguises and gender games. However, O’Hea’s interpretation struggles to capture the essence of the original text, leaving the production feeling somewhat ordinary for its intended family audience. Letty Thomas takes on the role of Rosalind, initially portrayed in a somber navy outfit, which contrasts sharply with her later transformation into a more playful character. Her chemistry with Orlando, played by Luke Brady, is central to the narrative, although Brady’s performance is limited due to an ankle injury, forcing him to remain seated for much of the show. This challenge was creatively addressed by Peter Dukes, who delivered a memorable wrestling scene, showcasing the cast's ability to adapt under pressure. Costume design by Liam Bunster adds a layer of visual appeal, with characters like Christina Tedders’ Celia donning whimsical outfits reminiscent of Marie Antoinette. Despite the vibrant costumes, the production falters in its pacing and depth, particularly in the early scenes where the bond between Rosalind and Celia is not fully realized. The affectionate banter between the two characters is notably diminished, impacting the emotional core of the play. Overall, while the RSC’s *As You Like It* offers moments of charm and creativity, it ultimately falls short of elevating Shakespeare’s timeless themes, leaving audiences yearning for a more engaging experience.